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Costume designer Deborah L. Scott’s Oscar nomination for Avatar: Fire and Ash reflects something larger than a single project: It
In stitching together Marty Supreme, editors and co-writers Ronald Bronstein and Josh Safdie not only found the beats of the…
Sentimental Value editor Olivier Bugge Coutté doesn’t usually fall in love with screenplays. In fact, he tries not to read
In Hamnet, costume designer Malgosia Turzanska didn’t treat the clothing as finished costumes. Instead, she built garments that could shift,
Max Richter had one guiding principle in his score for Hamnet. “I wanted to work mostly with women’s voices,” he
When Ruth E. Carter first read Ryan Coogler’s script for Sinners, the images came fully formed. The Oscar-winning costume designer
For Marty Supreme costume designer Miyako Bellizzi, outfitting the title character meant building a wardrobe that could withstand physical performance
Costume designer Kate Hawley still remembers the first time she read Guillermo del Toro’s script for Frankenstein. It wasn’t the
Editor Michael P. Shawver worried at one point about how he could juggle all the elements of Ryan Coogler’s Sinners
When Celeste Hughey heard Seth MacFarlane had paired with Brian Grazer of Imagine Entertainment to adapt his favorite cult comedy,
The Chronology of Water star Imogen Poots only takes roles she really believes in — like the one in Kristen…
Dead Man's Wire star Bill Skarsgård has played some of the most iconic monsters of our time. But he says…
In the evocative new documentary Nuns vs the Vatican, director Lorena Luciano sets out to illuminate the stories of silence,
It all started with a pinch. Growing up, Uttera Singh always heard the legendary story of her naughty cousin, who

Nobu Matsuhisa is one of the most recognized names in the restaurant business, with more than 50 luxury sushi restaurants
The production designers of HBO's The Last of Us, The Penguin, House of the Dragon and Dune: Prophecy on building…
In Nobody Wants This, director of photography Adrian Peng Correia and editor Maura Corey make bold decisions to tell a…
Production designer Bill Groom didn’t have much experience in the world of ballet when he signed onto Amy Sherman-Palladino and